MAY 2026
A unique space for vocal performance.
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MAY 2026
The footprint of a parking space filled with three different pieces: an interactive traffic light, a live dashboard of car crashes, injuries, and fatalities in the US, and a kiosk where guests can input their own experiences based on text prompts. Visitors are invited not just to consider how the automobile impacts their lives, but also what the parking space could be instead.
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Jérémie Kevin McCartney, Teagan Far
APRIL 2026
An interactive projection piece in the Godine Family Gallery as part of the Execute Corrupt exhibition. The entire back wall of the gallery is treated as a screen for video feedback that guests can interact with.
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MARCH 2026
Societies are built around water. Rivers have historically connected people, civilizations, and ideas. In what the water promised I am imagining the current technological landscape as a river. The internet connects us in countless ways. What happens when the internet and communication platforms are profit-driven entities? How should we be concerned about companies and governments controlling the flow of our connection?
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Jérémie Kevin McCartney, Teagan Far
MARCH 2026
Video projection of 3 different datamoshed videos onto handmade projection surfaces.
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DECEMBER 2025
Video diptyc with datamoshed footage reflecting its original state.
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Jérémie Kevin McCartney, Teagan Far
NOVEMBER 2025
Spectral Nuance was a 6.1 multichannel sound piece that brings to attention a collection of everyday sounds that we have grown accustomed to tuning out. Sounds like a bicycle chain, a faucet, a keyboard clicking, or a coin dropping to the floor are amplified and distorted, drawing the listener into a soundscape of melodic reflection.
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OCTOBER 2025
Docmentation of the abandoned "Kendall Band" sound installation in the Kendall/MIT train station in Boston.
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SEPTEMBER 2025
A short film documenting the sunrise over a New England farm.
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MARCH 2025
Somewhere on a server farm exists a collection of data. Every search, scroll, post, message, and interaction that you have—every second you linger, every movement of your mouse—all harvested to create a “digital twin,” a reflection of yourself forged from data based not only on your intentional actions, but also your subconscious ones. This portrait is tested, sold, and used against you.
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MARCH 2025
10 Tetlow Street, Rear was a 5 channel sound installation in the hallway outside of North 181 for the Eventworks Y4K event. Installed in conjunction with a collaborative set dressing project, the sound piece assisted in creating an immersive space surrounding the home of the event. The soundscape imagines the sonic environment of an alleyway in the dystopian future of Neoboston, Massachusetts.
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